Showing posts with label Telgu Movie. Show all posts
Showing posts with label Telgu Movie. Show all posts

Sunday, October 2, 2011

Telugu Movie Review: 'Dookudu' an out and out Mahesh Babu film

Film: 'Dookudu'; 

Cast: Cast: Mahesh Babu, Samantha Prabhu, Parvathy Melton, Sonu Sood, Sonia, Brahmanandam, Vennela Kishore, M.S. Narayana, Kota Sreenivasa Rao, Dharmaavarapu Subramanyam, Shaaji Shinde and Nazar; 
Director: Sreenu Vaitlaa; 

Writer: Gop Mohan;

Producer: G. Ramesh Babu; 
Camera: K.V. Guhan;
Music: S.S. Thaman; 
Rating: *** 1/2
'Dookudu' was much awaited because of the two big names of the Telugu film industry associated with it - Mahesh Babu and director Sreenu Vaitla. 

Vaitla has been known for making successful comedy-action films, while Mahesh's movies stood out for his trademark stylish acting, glamour and breathtaking action sequences. 

Since his biggest blockbuster 'Okkudu', Mahesh's performance has always been of higher level. 

Vaitla uses Mahesh's style and presence well in 'Dookudu', which boasts of his signature style of narration and this film too he focuses on punchy dialogues, which will satisfy moviegoers. The touch of comedy is felt in most of the sequences in the second half where focus is on reality show and two eminent comedians -- Brahmanandam and M.S. Narayana -- have been liberally used to entertain the audience. 

There is also Parvathi Melton's well-shot item number. 

Within a few minutes of the film, you will realise that it is an out and out Mahesh Babu's film. His versatility, his dances and body language -- all add up to highlight his characterisation. In many scenes, the actor has allowed two veterans, Brahmanandam and Narayana, to take centrestage. 

Mahesh's character has all the elements that his fans expect from him and there is a good dose of emotion, which may go well with family audience. His love for his father and the emotional sequences that happen in his large family will tug at the audiences heartstrings. 

The film is replete with visual treat and style as each sequence is shot with the backdrop of a rich canvas. 

The story may be formulaic, but there is enough space for entertaining elements. Though the writers have failed to give a credible story and script, artists and technicians make up for it and take the film to a greater height. 

However, music could have been a little better. 

The story starts with the assassination attempt made on an honest politician Shankar Narayan by some anti social elements. Though it is believed that Shankar Narayan is dead, he survives but goes into a coma and his trusted aides keep him in a hospital for 14 years. 

Shankar Narayan wants his son Ajay to be a politician, but he becomes a super cop instead and is on a mafia wipeout spree. He is sent to Istanbul to track down a don called Nayak and there he bumps into a girl who is a stylist and is there to participate in a fashion show. 

Ajay kills many notorious gangsters and finally Nayak, who is also his father's tormentor, is eliminated with others. 

As earlier said, Mahesh Babu's performance and style quotient is the main attraction. Samantha Prabhu has little to offer in terms of performance, but looks good in song sequences. Sonu Sood is becoming quite repetitive in villain's roles. 

The veterans comedy is top class. Parvathy Melton excels in the item song. Vennela Kishor Mahesh Babu's side kick is impressive. 

K.V. Guhan's top class cinematography captures the scenic richness of Turkey as well as Mumbai and many other outdoor spots. The title song and "Guruvaram" are well shot and composed. 

Dookudu is a treat for Mahesh's fans. But others can also enjoy this film for its comedy elements and Mahesh's powerful presence. 

Source: IBNLive.com

Nagarjuna booked for abusing woman journalist

Leading Telugu actor Nagarjuna was on Saturday booked on charges of abusing a woman scribe and for criminal intimidation, police said. 

The Jubilee Hills Police registered a case against Akkineni Nagarjuna, based on a complaint filed by Y Sunita Chowdhary, who alleged that the actor had used "filthy and vulgar" language against her and had even threatened to kill her when she met him during the film shooting of 'Damarukam' on September 29. 

According to police, Chowdhary and the actor had an argument over a previous matter and when she met him during the film shoot, Nagarjuna allegedly abused her. 

The actor, whose career spans over two decades, had won Filmfare best award for Bollywood flick 'Shiva' directed by Ram Gopal Verma in 1989. 

He has many Telugu hits to his credit, including Annamayya (1997) for which he had won Nandi Award for best actor. 

"The actor has been booked under section 506 (criminal intimidation) and section 509 (word, gesture or act intended to insult the modesty of a woman) of IPC," Jubilee Hills Inspector of Police K Narsing Rao said, adding, "We are investigating the case".

Telugu Movie Review: 'Madatha Kaja' has nothing new

Film: 'Madatha Kaja';
Cast: Allari Naresh, Sneha Ullal, Jayaprakash Reddy, Ali, Dharmavarapu Subramanya and Vennela Kishore; Director: Sitarama Raju; 
Producer: K.K. Radha Mohan; 
Music: Vasanth;
Rating: ** 

Telugu film makers are weaving the same type of stories and remixing the content of films already released. They end up making silly movies, but yet complain that well made films do not run. 

'Madatha Kaja' featuring Allari Naresh in the lead role may well remind you of films like Ravi Teja's 'Mirpakaay' and 'Don Seenu' released just a few months ago.
But one thing that is distinctly clear in 'Madatha Kaja' is that the film is made with very poor production values and the hero Naresh just looks like a poor man's Ravi Teja. 

That is the real tragedy of 'Madatha Kaja' as Naresh is really talented and can be a great entertainer if he is properly supported with a good script and if the film is handled by a competent director. 

This is amply clear from the number of hits Naresh and his famous father E.V.V. Sathyanarayana have delivered and you will understand the potential of the former in author-backed roles. 

Besides the hollowness of the script, 'Madatha Kaja' suffers from other aspects as well. 

The dialogues lack the punch and many sequences in the film fail to make any impact. Comedy films need to have good, quality dialogues of great entertainment value. With passive dialogues, the predictable comedy sequences are not hilarious enough to make the audience laugh. 
The film's heroine Sneha Ullal, a look alike of Aishwarya Rai, struggles with acting. 

Kalyan from Visakhapatnam is a police informer who is in love with Sneha. As his mission in catching criminals by tipping off police is hugely successful, the police chief wants him to go to Hyderabad to give information about a notorious don Nanda who is controlling illegal activities in Hyderabad by remote control from Bangkok.
His trusted lieutenants J.P. and K.P. running separate gangs are always fighting which results in bad execution of activities and losses to Nanda. 

Nanda wants to bring in some unity between JP and KP. He decides that KP's daughter Sneha should marry J.P.'s son. 

Then Kalyan decides to bring Nanda from Bangkok and uses his intelligence and guile to eliminate the don's gang. He also gets his lady love Sneha. 

Allari Naresh tries to deliver justice to his routine role and he evokes laughter through some of his funny mannerisms and dialogues. Sneha Ullal is ordinary, but looks good in song sequences. The veterans have put in a good show. 

'Madatha Kaja' is certainly not in the same league as Allari Naresh's earlier films like 'Kitha Kithalu' and 'Seema Thupaki'. 

If you have no other better alternative, you can watch 'Madatha Kaja' once.
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